¡a mysterious third member appears!
i think i just joined a gang
THIS IS SUGH AN IMPORTANT SHOW
The moment Clarence became amazing. THIS IS MY CHILDHOOD.
after hearing about it through the submission to @angryasiangirlsunited, i checked out the trailer of Lucy and am even more disgusted. and so not surprised. whiteness is getting too old.the upcoming movie lucy will feature the age-old racist narrative of pure white woman (scarlet johansson) being violated by scary, brown men. and the new white feminist trope of women gaining their power by violently eliminating brown men. who needs the white male savior when we now have white female saviors, taking it into their own hands to save their whiteness from all that non-whiteness. so radical.
My favorite part are the white feminists who are raving about this movie because “strong independent woman yaaaas!!”
i’m just wondering why there are herbs and fruits and vegetables written in a faded, creepy red on a prison-like wall in chinese. are herbs and fruits and vegetables in chinese supposed to be part of some sort of scare tactics? or am i missing something here?
The above makes this so much better
OMG THIS MOVIE IS BULLSHIT OF THE HIGHEST ORDER THEY COULDN’T EVEN BOTHER TO GET SOMEONE TO WRITE ACCURATE SHIT IN CHINESE ON THE WALL THEY PROBABLY GOOGLED A TAKE-OUT MENU OR SOMETHING THIS IS WHAT A $20MIL BUDGET BUYS IN HOLLYWHITE EVERYONE!
I just asked a family member to translate this. They came back with “Keep Clean. Apple, scallop & ginger, orange, tomato, grape”
GOD DAMMIT, HOLLYWOOD
KINGDOM COME #4 (Aug. 1996)
Art by Alex Ross
Words by Mark Waid
For those that don’t know animation software, 3D animated characters typically have to be manually posed using a combination of both interactive pivots and graphed coordinates for every individual one of those pivots, rendered out, then played back in order to get an idea of what the final animation will look like, and you wouldn’t even be able to see his fur.
Pixar’s in-house animation program, Presto, as demonstrated above, not only plays those animations back in real time, but also plays back with all 3 million strands of Sulley’s fur visible.
To give you an idea of how much computer memory this takes, Monsters University’s final render, after the lighting process, was 20 gigabytes per frame. There are 24 frames in one second of animation.